2016: After some thought I have recorded many people and bands live, None you would know. Unless you're from my tiny pinch of time in a little town somewhere in the midwest. Some of the live recordings include my participation as a musician. To me the recording, the history, the thrill of a live performance. especially when it all goes right. And even sometime when things go wrong. I have had my share of tremendous technical difficulties recording while playing as well as not playing but due to the volume of the performance headphones are useless. I made many great recordings with a single mic and the PA mix. My singer/song writer songs are begging for covers. I learned this while trying to change the sound of one of my very old tunes. Nothing big just a guest artist and a simpler mix. (COMING SOON!) (maybe "soon" should be deleted) Below, was written when I when I joined reverbnation. All about my equipment I have totally worn out during my time as a Live and studio recordist and producer. Some recordings are mine if only by the possession of the tape and my involvement in the recording and the live mix. Often made by watching the meters without headphones or monitors other than the P.A. My Music. From The Beginning. Half Track Mono Wolensaks were used as early as 1972 to bounce tracks till we built a song in my parents Basement. And we made quite a few. Live performances and rehearsals of various bands I either played or was sound for in the 1970's are included here. The 4 track Teac 3440S was a boon to singer songwriters and we used it to hone our craft for 5 years. I worked with some of the best from Detroit's artists including Curt Gadson Song writer and producer. Finally, with the original 4 track masters transferred to the computer I either completed or stripped away and began again OR recorded from scratch a whole new bunch of songs. This is what happened...